Samplitude & Sequoia 11
Overview of new features
Here we present all the new features of generation "11" from the Samplitude and Sequoia product family. For detailed information on individual improvements, simply visit our product pages!
Improvements to the user interface and general workflows
The user screen has been reworked and is now even easier and more intuitive to operate.
You can now color your tracks, as seen on the screenshot, which makes orientation in the arranger and mixer easier. Additionally, Samplitude and Sequoia now have a docking function which lets you "dock" individual elements of the interface (manager, visualization, toolbars, etc.) at certain positions.
Complementing these improvements are two new skins "Canis" and "Camo".
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essentialFX Low disk space requirements and uniform operation, combined with low resources demands for top quality production, makes the new effect series "essentialFX" a collection of high-quality audio tools for all-around tasks.
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sMax11 & EQ116
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New VST instrumente / Software synthesizer Samplitude and Sequoia offer the latest versions of popular VST instruments.
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OMF / AAF support (only Sequoia, also optional in Samplitude & Samplitude Pro)
Exporting between various interfaces can cost lots of time and nerves.
Starting immediately, Samplitude Pro offers an optional OMF/AAF support, which makes cross-platform data exchange easier. Together with the EDL export for Video Pro X and compatibility to other products from the Samplitude/Sequoia family, Samplitude can be seamlessly integrated into almost every form of digital audio editing, without slowing down the work flow.
Revolver Tracks (Samplitude Pro & Sequoia only)
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Vandal (Only Samplitude Pro & Sequoia - "Vandal SE" will be included in Samplitude 11 with the next patch) The Vandal brings more than just a new concept in design and operation to virtual guitar and bass amplifiers; borrowing from classic guitar lineups, the plug-in signal goes through the stomp box, amplifier, speaker, microphone and maybe echo/reverb effects, whereby every kind of clean, crunch, hi-gain and lead tone is shaped using a unique, universally emulated amp. Individual play patterns and guitars have the same significance as with top-notch tube amps, in contrast to emulations using impulse response. |
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Multi-synchronus editing (only Sequoia)
EuCon Protocol (Sequoia only)
The EuCon high-speed Ethernet control protocol allows Sequoia to be controlled from the Euphonix Pro range of consoles and controllers including the MC Pro and System 5-MC controllers, and the S5 Fusion and the System 5 digital audio mixing systems. EuCon allows high-speed, high-resolution control of fader, pans, plug-ins as well as access to many of the software’s functions by the programmable keys on the Euphonix control surface for fast access to functions that are used most.
Video engine
The integrated video engine lets you to add video objects to the first track and trim their beginning and end. Various video formats may be used: AVI, DV, MOV, MPEG, MXV, WMV, BMP, JPEG.
Video sound track may also be integrated into the project and edited with the usual tools, including support from the source/destination cut commands.
Video export (only Sequoia)
Videos that have been dubbed or mixed with Sequoia may be exported including finished mixes as new files. Formats include MPEG2, DV-AVI, QuickTime MOV, and MXV with different codecs.
Audio Pre- / Post-Recording
With the pre-recording option you can add audio material, which you have played before (!) the start of recording. The pre-recording length is variably set and may be up to 120 seconds.
In contrast, "post-recording" also records material which is played up to 2 seconds after recording stop.
Retrospective recording
In principle, this feature functions exactly like audio pre-recording. If you have played a melody via MIDI but forgot to record this element, Samplitude/Sequoia can create a MIDI object using activated retroactive recording, which restores up to 600 seconds of lost material.
Groove quantization
This function expands the standard quantization functions by enabling the extraction of rhythms and phrasing from recordings or loops.
These groove templates with the pattern of peaks and transients bring other recordings into swing and can also solve timing problems creatively and appropriately to the arrangement.
MIDI effect velocity dynamics
With "Velocity Dynamics" as realtime effect (MIDI effect) or offline effect, you can edit the attack dynamics of the MIDI notes.
You can adjust the represented MIDI velocity of connected music instruments, such as MIDI synthesizers or VSTis, compress/expands dynamic strength of selected events. In addition to diverse, useful presets, the tool also offers a random function, which enables a very variable representation.

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